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This article is about Peter Parker. Over the years, the Peter Parker character has developed from shy, nerdy New York City high school student to troubled but outgoing college student, to married high school teacher to, in the late 2000s, a single freelance photographer. Spider-Man after Ultimate Peter Parker’s supposed death. Miles is later brought into mainstream continuity, where he works alongside Peter. Spider-Man is one of the most popular and commercially successful superheroes.

Stan Lee stated that it was the name of this character that inspired him to create a character that would become Spider-Man. He said the idea for Spider-Man arose from a surge in teenage demand for comic books, and the desire to create a character with whom teens could identify. Although at the time teenage superheroes were usually given names ending with “boy”, Lee says he chose “Spider-Man” because he wanted the character to age as the series progressed, and moreover felt the name “Spider-Boy” would have made the character sound inferior to other superheroes. In a 1986 interview, Lee described in detail his arguments to overcome Goodman’s objections. 15 was the only reason Goodman allowed him to use Spider-Man.

1950s, in which an orphaned boy living with an old couple finds a magic ring that granted him superhuman powers. Lee and Kirby “immediately sat down for a story conference”, Theakston writes, and Lee afterward directed Kirby to flesh out the character and draw some pages. Steve Ditko would be the inker. Lee turned to Ditko, who developed a visual style Lee found satisfactory. One of the first things I did was to work up a costume. A vital, visual part of the character. For example: A clinging power so he wouldn’t have hard shoes or boots, a hidden wrist-shooter versus a web gun and holster, etc.

I wasn’t sure Stan would like the idea of covering the character’s face but I did it because it hid an obviously boyish face. It would also add mystery to the character. Although the interior artwork was by Ditko alone, Lee rejected Ditko’s cover art and commissioned Kirby to pencil a cover that Ditko inked. As Lee explained in 2010, “I think I had Jack sketch out a cover for it because I always had a lot of confidence in Jack’s covers. Stan Lee thought the name up. 1988 interview with Theakston, recalled that although his contribution to Spider-Man was “almost nil”, he and Ditko had “worked on storyboards together and I added a few ideas.

But the whole thing was created by Steve on his own I think I added the business about the webs coming out of his hands. Kirby disputed Lee’s version of the story, and claimed Lee had minimal involvement in the character’s creation. Kirby outlined the character’s story and powers. Spider-Man” was an outgrowth of that interest.

Evanier also disputes Kirby’s given reason that he was “too busy” to draw Spider-Man in addition to his other duties since Kirby was, said Evanier, “always busy”. Evanier states that the most plausible explanation for the sudden change was that Goodman, or one of his assistants, decided that Spider-Man as drawn and envisioned by Kirby was too similar to the Fly. Author and Ditko scholar Blake Bell writes that it was Ditko who noted the similarities to the Fly. Ditko recalled that, “Stan called Jack about the Fly”, adding that “ays later, Stan told me I would be penciling the story panel breakdowns from Stan’s synopsis”.

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